“I passed old ‘Bubble and Squeak,’ just now, spouting away to three men and a dog outside the World’s End. I expect he’ll turn up,” thought Miss Ensor. She laid for four, leaving space for more if need be. “I call it the ‘Cadger’s Arms,’” she explained, turning to Joan. “We bring our own victuals, and Mary cooks them for us and waits on us; and the more of us the merrier. You look forward to your Sunday evening parties, don’t you?” she asked of Mary. Flossie’s young man was standing near the fire talking, or rather listening, to a bird-like little woman in a short white frock and blue ribbons. A sombre lady just behind her, whom Joan from the distance took to be her nurse, turned out to be her secretary, whose duty it was to be always at hand, prepared to take down any happy idea that might occur to the bird-like little woman in the course of conversation. The bird-like little woman was Miss Rose Tolley, a popular novelist. She was explaining to Flossie’s young man, whose name was Sam Halliday, the reason for her having written “Running Waters,” her latest novel.!

“The revolution that the world is waiting for,” was Flossie’s opinion, “is the providing of every man and woman with a hundred and fifty a year. Then we shall all be able to afford to be noble and high-minded. As it is, nine-tenths of the contemptible things we do comes from the necessity of our having to earn our living. A hundred and fifty a year would deliver us from evil.” “Why didn’t they want them?” she asked.

“That’s the pity of it,” he said. “You’re wasting the most important thing about you, your personality. You would do more good in a drawing-room, influencing the rulers, than you will ever do hiding behind a pen. It was the drawing-room that made the French Revolution.” “That’s not bringing me up well,” suggested Joan: “putting those ideas into my head.” “You don’t think it even worth considering?” suggested Joan.